It stunned audiences on both sides of the Atlantic and challenged the idea of ‘who owns Shakespeare?’. "This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth ... in Phyllida Lloyd's production, ariel and. Lloyd was born and raised in Nempnett Thrubwell, Somerset, south of Bristol. This is the moral heart of Phyllida Lloyd’s searing and humbling Tempest, especially as delivered by Harriet Walter, who, with Lloyd, completes a trilogy of … ‘The Tempest’: Theater Review. Found insideArtistic Director of the Donmar Warehouse Josie Rourke's adaptation of Measure for Measure imagines the play in its original year of performance, 1604, and also in 2018. From the ragtime rhythms of St Louis and the intoxicating sounds of 1920s Paris, to present-day London, Josephine and I intertwines the story of a modern-day girl with that of one of the greatest, yet largely forgotten, stars of the ... Share: Previous CABARET & MUSIC NEWS. The idea for a trilogy of all-female Shakespeare performances came out of a conversation with Lloyd, says the actor Harriet Walter, who stars in all three productions at King’s Cross theatre. Harriet Walter as Prospero in Phyllida Lloyd’s all-female production of The Tempest at King’s Cross theatre. Photograph: Helen Maybanks ... Sketching The Tempest at Shakespeare in the Park. As a special feature, the book includes a foreword by Bill Clinton, among the latest in a long line of American presidents, including John Adams, John Quincy Adams, and Abraham Lincoln, who, as the collection demonstrates, have turned to ... Like. The trilogy displays showings of Henry IV, Julius Caesar and The Tempest, each coherently set in a women’s prison. “O brave new world that has such people in it…” Shakespeare’s The Tempest, directed by Phyllida Lloyd, at St. Ann’s Warehouse, through February 19. www.stannswarehouse.org. It's Lloyd's third—and, I think, best--prison play. 1 / 13 Next THEATRE TALK. While some Tempests rely on elaborate visuals and stage magic to convey the dark fairy tale of isolation and redemption, director Phyllida Lloyd’s interpretation strips the story down to its essence with unforgettable results. It's Lloyd's third—and, I think, best--prison play. The second of Phyllida Lloyd’s all-female trilogy of Shakespeare productions at the Donmar (alongside Julius Caesar and The Tempest), the filmed version of Henry IV is released on DVD by Opus Arte. Phyllida Lloyd. Facebook. These are their lives. Instructions for Correct Assembly premiered at the Royal Court Theatre, London, in the Jerwood Theatre Downstairs on 7 April 2018, in a production directed by Hamish Pirie. The Shakespeare Book has visual plot summaries of each one, with diagrams to show the intricate web of relationships in plays such as A Midsummer's Night Dream. The third of Phyllida Lloyd’s all-female trilogy of Shakespeare productions at the Donmar (alongside Julius Caesar and Henry IV), the filmed version of The Tempest is released on DVD by Opus Arte. Shakespeare’s The Tempest, directed by Phyllida Lloyd, taped at Donmar Warehouse Kings Cross, streamed through November 1 on the St. Ann’s Warehouse website. Lloyd’s startling productions of Julius Caesar and Henry IV, which premiered in 2012 and 2014 respectively, have been refreshed — and are joined by an equally bold interpretation of The Tempest. Phyllida Lloyd’s final instalment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero and music by British singer-songwriter Joan Armatrading. That’s what director Phyllida Lloyd did in an acclaimed trilogy of productions that originated at London’s Donmar Warehouse. Critics celebrated the original staging as A glorious reminder that genuine diversity offers astonishing creative benefits . WITMORE: Phyllida Lloyd is a film, theater, and opera director whose trilogy of Shakespeare's plays, Julius Caesar, Henry IV, and The Tempest, were produced in 2012, 2014, and 2016 respectively, by the Donmar Warehouse in London. First Nighter: Harriet Walter’s Prospero in Phyllida Lloyd’s Blazing “The Tempest”. The Trilogy enthralled theatre audiences in London and New … Lloyd and her company deserve all the praise – and not least Harriet Walter, who has lead from the front, putting career where her convictions are. Pretty stupendous. Moved and stirred as I was by Phyllida Lloyd's Donmar Tempest set in an all-female prison, as well as other recent updates of Shakespeare that excitingly contemporise the great works, there is something refreshing about seeing a production of The Tempest that simply allows full rein to the sheer magic, wonder and beauty of the play.. Shakespeare has many faults, not least his failure of the Bechdel test. Loren Noveck. Phyllida Lloyd absolutely sells the frame narrative of setting the performance in a women’s prison. Phyllida Lloyd's new all-female production of The Tempest shakes out the Bard's great romantic masterpiece reminds us that theater can be the best antidote to dark times. Found insidePraise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . But in the end, Phyllida Lloyd, Harriet Walter, and the ensemble deserve our praise and admiration for their theatrical vision and fortitude. “The Tempest” runs through Feb. 19 at St. Ann’s Warehouse. Found insideIn GARY, maverick theater artist Taylor Mac’s singular world view intersects with Shakespeare’s first tragedy, Titus Andronicus. in RSC production, Sebastian is. The Phlebotomist questions the value we place on one another, whether knowledge really is power, and if it's truly possible for love to conquer all. Tempest (you could look at the Character Descriptions or do the Understanding Character and Relationships exercise first) • A copy of The Tempest: ... when casting this production Phyllida Lloyd chose to cast a diverse group of women in the show (you could watch the Origins of the Trilogy video for more information.) Harriet Walter as a Judith Clark-inspired Prospero. This exciting week of theater is kicked off in high style by director Phyllida Lloyd, the great actor Harriet Walter and their exciting ensemble. Phyllida Lloyd's new all-female production of The Tempest shakes out the Bard's great romantic masterpiece reminds us that theater can be the best antidote to dark times. a colonial parable. Courage Fear Imagination. (© Teddy Wolff) To err is human; to forgive, divine. Set on an isle full of noises , this magical production features a glowing score by Joan Armatrading. prospero's relationship is loving and collaborative. Found insideHe conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume also includes A Bicycle Country and the one-act play, Capricho. Director Phyllida Lloyd with writer-actor Clare Dunne on the set of "Herself." “This extraordinary production is the third in Phyllida Lloyd’s fearlessly original Shakespeare series. This book examines contemporary female portrayals of male Shakespearean roles and shows how these performances invite audiences to think differently about Shakespeare, the English nation, and themselves. The Donmar Shakespeare Trilogy runs at King’s Cross to Dec 17, 2016; The Tempest transfers to … Found insideThis show challenges societal perceptions by challenging the stories we tell through television, the media, and to ourselves. Inside Bitch questions what is lost when we try to tell a story. This is the third time Walter and director Phyllida Lloyd have collaborated on an all-woman Shakespeare. Harriet Walter's Prospero is such a thrilling and original characterization that it very nearly justifies Phyllida Lloyd's over-interpreted staging of Shakespeare's late-career masterpiece.Many of the men I've seen in the role are grand, yet remote, presences, watching the action from afar, biding their time as they arrange events to arrive at a long-delayed reckoning. The essays in Subverting Masculinity concentrate on contemporary film, literature and diverse forms of popular culture. In this acclaimed Donmar Warehouse production directed Phyllida Lloyd (“The Iron Lady,” “Mamma Mia!”), Shakespeare’s famous discourse on power, loyalty and tragic idealism is … Walter tells us her prisoner/character story. Share: Previous CABARET & MUSIC NEWS. Led by the great Harriet Walter as Prospero, and with songs by the legendary Joan Armatrading , The Tempest takes place in a women’s prison, where Lloyd’s intrepid “inmates” play the roles Shakespeare originally wrote for men. ran on Broadway for 10 years. One can only pray there will be more…The concept unequivocally works…Not for a moment does one lose the pathos, comedy, complicated relationships, or magic embedded in ‘The Tempest.’ Legendary singer-songwriter Joan Armatrading will compose original music for Phyllida Lloyd’s upcoming production of The Tempest. Directed for both stage and screen by Phyllida Lloyd. American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College. Loren Novek reviews the transfer of Phyllida Lloyd’s The Tempest to St Ann’s Warehouse. The beginning of The Tempest, as chaperoned magnificently by director Phyllida Lloyd, is intense, original, and layered. Harriet Walter stars as Prospero in William Shakespeare's The Tempest, directed by Phyllida Lloyd, for Donmar Warehouse at St. Ann's Warehouse. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ ... ... Back in 2012 the Donmar Warehouse was home to an all female production of Henry IV directed by Phyllida Lloyd which was the start of the Trilogy project. AOL. A new play about the conflict between a West-Indian woman and her English-born daughters. repellently comic and sinister. We talk with Phyllida Lloyd about the influential trilogy of all-female Shakespeare productions that she directed at the Donmar Warehouse in London, including The Tempest. LinkedIn. While some Tempests rely on elaborate visuals and stage magic to convey the dark fairy tale of isolation and redemption, director Phyllida Lloyd’s interpretation strips the story down to its essence with unforgettable results. It served as a metaphor for Rome in Phyllida Lloyd's staging of William Shakespeare's Julius Caesar and continued as a thematically resonant setting for her version of Shakespeare’s Henry IV.With The Tempest, however, metaphor has been turned inside out as the play serves to conclude what turns out to be the story of a single prisoner told through Shakespeare's canon. Gmail. I think courage is commensurate with your fear - if you lack imagination and you're fearless, that's not courage to me. I’ve caught her with two weeks left in the rehearsal room for the final show in her ambitious all-female Shakespeare trilogy. Found insideA beautiful edition of Shakespeare's sonnets in chronological order, including passages from his plays, freshly introduced and paraphrased. The show still runs in the West End and globally today, having now been seen by over 56 million people across 40 countries. Moved and stirred as I was by Phyllida Lloyd's Donmar Tempest set in an all-female prison, as well as other recent updates of Shakespeare that excitingly contemporise the great works, there is something refreshing about seeing a production of The Tempest that simply allows full rein to the sheer magic, wonder and beauty of the play.. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. Phyllida Lloyd’s gripping films of the groundbreaking Donmar Warehouse Shakespeare Trilogy, in which women play all the parts originally written for men, could not be more timely. It’s a compelling and powerful confession, instantly engaging. She voted to decriminalize homosexuality. An indispensable reference tool for Shakespeare students and enthusiasts, this compact guide provides authoritative summaries of each of Shakespeare's works. The Tempest @ King’s Cross Theatre. Directed by Phyllida Lloyd, the ‘Shakespeare Trilogy’ adopts a post-modern take on Shakespeare’s circa 1610 ‘The Tempest’. Phyllida Lloyd - 'We took the text to women prisoners and asked if it had anything to do with their lives; the phrase they used was 'yes, it's very suitable.' For several years Harriet Walter has been collecting images of older women whose faces and lives have inspired and moved her. Some of these faces are well-known, some are facing the glasre of public scrutiny for the first time". Shakespeare’s The Tempest, directed by Phyllida Lloyd, taped at Donmar Warehouse Kings Cross, streamed through November 1 on the St. Ann’s Warehouse website. Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. Pinterest. Directed for both stage and screen by Phyllida Lloyd. Phyllida Lloyd on her all-female cast of The Tempest, Mike Figgis on virtual reality, and PUSH, an opera inspired by the story of a boy pushed from a train bound for Auschwitz. Found insideThis book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. The project continued with an all female production of Julius Caesar, which was also at the Donmar Warehouse. That’s what director Phyllida Lloyd did in an acclaimed trilogy of productions that originated at London’s Donmar Warehouse. The company’s five-year development process working with incarcerated women brings so much additional nuance and emotional heft to Shakespeare’s meditation on power, freedom, illusion, and forgiveness. Women in prison. The … Most rousing, most intricate when the plays are seen together in one compelling day. In the Donmar’s resounding temporary 420-seat theatre at King’s Cross – a big box with girders – Lloyd adds one new production, The Tempest, to two she made earlier, and consolidates a triumph. Phyllida Lloyd’s West End hit MAMMA MIA! The Dame’s Tempest is more of a damp squib: Prison setting's novelty value has worn off, writes QUENTIN LETTS It starred Dame Harriet Walter and was directed by Phyllida Lloyd There's a rough magic to Phyllida Lloyd's radical and revelatory reworking of three Shakespeare plays: Julius Caesar, Henry IV and The Tempest.What she does seems so simple, using everyday props and a bleak setting. The importance of Phyllida Lloyd’s Shakespeare trilogy was emphatically hammered home for me when I queued up an episode of Netflix’s The Crown the day after seeing Lloyd’s production of The Tempest.Produced by the Donmar Warehouse at London’s King’s Cross Theatre, the production stars Royal Shakespeare Company veteran Harriet Walter as Prospero. Found inside – Page 183Phyllida Lloyd (director), Chloe Lamford and Bunny Christie (designers), The Shakespeare Trilogy: The Tempest, Donmar Kings Cross, London. Everyman Theatre. The American premiere of Phyllida Lloyd’s staging of The Tempest officially opens January 18 at St. Ann's Warehouse, set against the backdrop of … Kemp Powers' award-winning debut play One Night in Miami... deftly combines the personal and the political at a pivotal moment in history; it received the Ted Schmitt Award 2013 for its world premiere, and went on to be adapted into a ... Caliban and The Tempest are recurring elements in this discussion with scholars about the long history of Shakespeare in the Caribbean. Found insideThis book explores the development of the global phenomenon of Prison Shakespeare, from its emergence in the 1980s to the present day. Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. Such is Gregory Doran's enchanting and enchanted … Director Phyllida Lloyd with writer-actor Clare Dunne on the set of “Herself.” The whole cast learned how to build a timber-frame house and use power tools for the film. Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama. It is very rough and very tough magic that makes Phyllida Lloyd’s The Tempest so much more invigorating, funny and moving, and a triumphant climax to … After graduating from the Department of Drama and Theatre Arts at Birmingham University … Welcome to the Donmar at King’s Cross Shakespeare Trilogy consisting of a prison-set The Tempest (reviewed here), Julius Caesar and Henry IV with an all-female cast led by Harriet Walter and directed by Phyllida Lloyd. is certainly as great as Caliban's need for a master. Related Posts. In January of 2017, The Tempest, the final installment of Phyllida Lloyd’s all-female Shakespeare trilogy, came to St. Ann’s Warehouse in Brooklyn after a triumphant run at the Donmar Warehouse. Exhibiting an all female cast, Phyllida Lloyds version of The Tempest is divergent and raised controversy within theatre… This captivating reimagining explores themes of freedom and justice in the context of a women’s prison. A Chekhovian quartet of plays examining the contemporary American experience. Yet to place the plays within a women's prison with an all-female cast, transforms their effect and meaning. Found insideBlending myth, history and contemporary commentary, this is the story of how a woman took revenge through her art to become one of the most successful painters of her generation. But the experiment that the Donmar Warehouse initiated in 2012 with Julius Casear and then followed with a truncated version of Henry IV in 2014, has now been wonderfully completed with a new production of The Tempest, all directed by Phyllida Lloyd and starring Harriet Walter. Phyllida Lloyd completes her all-female Shakespeare Trilogy with a revival of her ground-breaking productions of Henry IV and Julius Caesar and a new staging of The Tempest. Performances of the final play in Lloyd’s series, The Tempest (Walter is Prospero), opened in September at the Donmar Warehouse’s specially commissioned pop-up theatre in London. This week it opened as part of the trilogy. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison. The Tempest is, after all, a play already overstuffed with magic and poetry and heartbreak and ribaldry. The formidable Harriet Walter, as directed by the equally formidable Phyllida Lloyd, is delivering the most astonishing reinterpretation of a famous William Shakespeare speech you might ever hope to witness. Found inside – Page 309The autumn saw the opening of Phyllida Lloyd's The Tempest, the third in her trilogy of all-female the The previous two productions, Julius Caesar and ... They have endured huge losses, known violence, acted on feelings of revenge, been overwhelmed by guilt. This time it’s The Tempest Found insideA new drama by the Pulitzer Prize-winning author of Glengarry Glen Ross. Found insideRed Velvet is filled with suspense that will want you to read on to the end. It is about love conquering hate and good over evil. After all, this is what sustains humanity. Miller offers the tempest as. Found inside'What gets me through is knowing I took this pain, and saved all of you from suffering the same. Harriet Walter will headline an all-female production of The Tempest at St. Ann’s Warehouse. Phyllida Lloyd’s final instalment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero and music by British singer-songwriter Joan Armatrading. 1 hr 44 min | Shakespeare, Critically Acclaimed, Plays | 2018. In 2012, Phyllida Lloyd’s all-female production of Julius Caesar placed the play in a women’s prison. Harriet Walter's Prospero is such a thrilling and original characterization that it very nearly justifies Phyllida Lloyd's over-interpreted staging of Shakespeare's late-career masterpiece.Many of the men I've seen in the role are grand, yet remote, presences, watching the action from afar, biding their time as they arrange events to arrive at a long-delayed reckoning. The final instalment in the Donmar Warehouse’s all-female Shakespeare Trilogy sees Harriet Walter take on the role of Prospero in this evocation of the eternal struggle for freedom, morality and justice. The Tempest (Donmar Shakespeare Trilogy), The King's Cross Theatre. The DVD is in NTSC format and region-free for worldwide distribution and compatibility, and it looks and sounds impressive, the image clear and well-lit, with dynamic Dolby Digital 2.0 and … Found insideTheresa Rebeck’s new play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt’s career. Waters' thrilling new drama takes us behind closed doors to imagine the personal conflicts behind the making of political history. Lloyd’s Tempest, featuring Walter and a diverse all-female cast, is the third in the Donmar Warehouse trilogy. Twitter. Phyllida Lloyd is having a terrible time. After presenting the US premieres of Donmar Warehouse's all-female Shakespeare Trilogy — Julius Caesar, Henry IV, and The Tempest, all directed by Phyllida Lloyd … A rich journey of discovery through the greatest roles in Shakespeare, both female and male. Director Phyllida Lloyd with Taming of the Shrew co-stars Cush Jumbo and Janet McTeer, photographed in New York City. Phyllida Lloyd on her all-female cast of The Tempest, Mike Figgis on virtual reality, and PUSH, an opera inspired by the story of a boy pushed from a train bound for Auschwitz. Found insideThe book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Photos: Helen Maybanks Like. Related Posts. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning ... The beginning of The Tempest, as chaperoned magnificently by director Phyllida Lloyd, is intense, original, and layered. Harriet Walter reprises her electrifying performance in the titular role of Henry IV, Brutus in Julius Caesar and plays Prospero in The Tempest. The whole cast learned how to build a timber-frame house and use power tools for the film. But the experiment that the Donmar Warehouse initiated in 2012 with Julius Casear and then followed with a truncated version of Henry IV in 2014, has now been wonderfully completed with a new production of The Tempest, all directed by Phyllida Lloyd and starring Harriet Walter. Found inside... and the Four-Fold Player in the Georgia Shakespeare Festival's Tempest', ... 2012; Henry IV, 2014; The Tempest, 2016) directed by Phyllida Lloyd with an ... The Donmar Warehouse returns to St. Ann’s with The Tempest, the finale to Phyllida Lloyd’s thrilling all-female Shakespeare Trilogy. Walter tells us her prisoner/character story. Pinterest. Facebook. The Tempest. Power Extraordinary Close-Up. In addition to her towering theatre credits, Phyllida Lloyd is known for directing Meryl-Streep in The Iron Lady and the screen adaptation of Mamma … AOL. Prospero's need for slaves. The three times Grammy-nominated British artist has garnered numerous accolades which include top 10 albums and singles (Love And Affection, Willow, Drop The Pilot), and a number one debut on the Billboard Blues chart in 2007 (a first for a female … Phyllida Lloyd’s prison-set, all-female-cast, Donmar Warehouse-produced take on ‘The Tempest’ bloody well should be good. Phyllida Lloyd’s final instalment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison, with music by British singer-songwriter Joan Armatrading. Next THEATRE TALK. Phyllida Lloyd’s Shakespeare Trilogy is one of the most important theatrical events of the past 20 years. They have lived lives as large as these characters. This “Tempest” is the third and last installment of the director Phyllida Lloyd’s triumphant series of Shakespeare plays for Donmar Warehouse in London, in … Phyllida Lloyd. They’ve collaborated on a trio of Shakespearean plays, starting with a brilliant Julius Caesar then a strong Henry IV and now this thoroughly satisfying Tempest. Margaret Thatcher was pro-choice. When casting a production, a It’s the poem that begins “Our revels now are ended,” normally rendered as a magisterial pronouncement … Lloyd’s Tempest, featuring Walter and a diverse all-female cast, is the third in the Donmar Warehouse trilogy. Twitter. The Trilogy enthralled theatre audiences in London and New … These three plays by Pulitzer Prize winner Sam Shepard are bold, explosive, and ultimately redemptive dramas propelled by family secrets and illuminated by a searching intelligence. " -Nathaniel Philbrick Merging maritime adventure and early colonial history, A Brave Vessel charts a little-known chapter of the past that offers a window on the inspiration for one of Shakespeare's greatest works. Gmail. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. Director Phyllida Lloyd's trilogy, reimagining Shakespeare's classics as the performances of female prison inmates, concludes with 'The Tempest.' LinkedIn. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. The American premiere of Phyllida Lloyd’s staging of The Tempest officially opens January 18 at St. Ann's Warehouse, set against the backdrop of … Set on an isle "full of noises," this magical production sees Succession star Harriet Walter take on the role of Prospero, in Shakespeare's evocation of the eternal struggle for liberation, morality, and justice. It’s a compelling and powerful confession, instantly engaging. Found inside – Page 171In the closing moments of Phyllida Lloyd's Tempest (Donmar Warehouse, 2018), performed within the frame of a women's prison, the leading actor-inmate bins ... Was not profoundly religious. (The first two, Julius Caesar and Henry IV, also toured from London to Brooklyn.) Queen Elizabeth made Lloyd a Commander of the Order of the British Empire. Phyllida Lloyd and All-Female Shakespeare. Found insideMama Nadi, the owner of a brothel set in Congo, is a mother figure who keeps watch over her business, serving men from both sides of the conflict, and employing women, "ruined" by rape or torture, who are forced to work as prostitutes. Found insideThis is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. , from its emergence in the Caribbean and globally today, having been. With Shakespeare ’ s prison singer-songwriter Joan Armatrading will compose original music for Lloyd. The Shrew co-stars Cush Jumbo and Janet McTeer, photographed in new York City by guilt closed to... 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